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Year's Best SF 17 [May. 13th, 2013|11:16 pm]
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         I finished Year's Best SF 17, David G. Hartwell & Kathryn Cramer, eds., last week, but the end-of-term frenzy kept me from commenting earlier. As always with these collections, it's a fine anthology of a variety of types of science fiction short story. Not a clunker in the bunch, this time.
          There are four stories (Elizabeth Bear's "Dolly"; Karl Schroeder's "Laika's Ghost"; Michael Swanwick's "For I Have Lain Me Down on the Stone of Loneliness and I'll Not Be Back Again"; Carolyn Ives Gilman's "The Ice Owl") that are also in the Dozois anthology; and I'd already read Paul Park's "Ragnarok" in last year's Rhysling Anthology, which brings up the fact that it's a poem. (I'm not quite clear on how "Ragnarok" ends up in annual anthologies for two different years.) Now the poem is the one that I remarked upon in my review of the Rhysling Anthology, but curiously none of the four duplicate stories are the ones I mentioned when reviewing the Dozois.

         For the most amusing story, I'd pick "Home Sweet Bi'Ome" by Pat MacEwen. It made me laugh; and the premise, of someone living in a house made of their own tissue, is not that illogical.
         My favorites were both at the end of the collection: Yoon Ha Lee's "A Vector Alphabet of Interstellar Travel" and Genevieve Valentine's "The Nearest Thing." To describe either would be to give them away.

CBsIP:  (500 pages of student manuscripts)
Life of the Empress Josephine, anonymous (Cecil B. Hartley?)
Mr. Lincoln's Army, Bruce Catton
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What the Living Do [May. 7th, 2013|11:06 pm]
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         I heard Marie Howe being interviewed on Fresh Air, including reading from her collections, and I immediately ordered What the Living Do, along with two of her other books. As I will be teaching "The Writing of Poetry" in the Fall, I went through this one as part of my search for the final single-author collection I'll be taking the students through.
         The subject matter is psychic damage and personal loss, including the deaths of a brother and a friend. The collection is strung together as an almost narrative, which is rather the fashion, these days. The individual poems are strong, and I was pleased with the experience.
         [An aside, though. I understand their importance, and their cathartic power, and their prevalence; but I admit to being tired of incest and rape poems. Not disrespectful of them, nor dismissive, either. The pathos receptors have finally been overloaded.]
         I think the title poem, the penultimate piece, is brilliant. It assails by indirection, and sudden surprise. The poem that follows it, "Buddy," puts an interesting end, really a coda, on the collection. "For Three Days" starts with the search for a word (something I'm often in the midst of) and ends with a sting.
         I was struck by the motion of "The Copper Beech." I will be turning the strategy of that one into an exercise.

CBsIP:  (600 pages of student manuscripts)
Life of the Empress Josephine, anonymous (Cecil B. Hartley?)
Year's Best SF 17, David G. Hartwell & Kathryn Cramer, eds.
Mr. Lincoln's Army, Bruce Catton
linkpost comment

One of the World's True Classics [Apr. 28th, 2013|11:28 pm]
         I used the Penguin Classic version of The Bhagavad Gita, Laurie L. Patton, trans., as the last work in my South Asian Lit class.
          We have at least seven translations of this classic work in the house, and I've read a couple of others, so the test of my reaction is whether I would use it to teach with again.

         Answer: yes.
       Patton explains some of the translation choices she made (verse form of 8-line stanzas, but not rhymed or metered verse) and they all seem reasonable. It read easily, and mostly clearly. The footnotes seem fine, and my students seemed to find them helpful, as well. It was useful that she marks, but did not try to strictly imitate, the two different verse forms in which the stanzas are written.
         My one complaint is with her really lame version of the famous 32nd stanza of the Eleventh Chapter, which goes:
         I am time that has aged,
         who makes the world to perish.
         I have come forth
         Even without you,
         these warriors
         facing off against each other
         will no longer exist.

       Say, what?? That's the clunkiest, vaguest, most periphrastic way of going about it I've ever seen. Fortunately this is not typical of her translation.
       Anyway, if you haven't read the Gita, this is a fine version to start with. Should you read it? All the truly civilized people do. Arjuna's dilemma is one of mankind's most important puzzles.

CBsIP:  (800 pages of student manuscripts)
Life of the Empress Josephine, anonymous (Cecil B. Hartley?)
Year's Best SF 17, David G. Hartwell & Kathryn Cramer, eds.
Mr. Lincoln's Army, Bruce Catton
What the Living Do, Marie Howe
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Aztec & Maya [Apr. 28th, 2013|11:22 am]
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         The Complete Illustrated History of the Aztec & Maya, by Charles Phillips, is one of those heavily illustrated (in color) coffee-table-ish books that Hermes House has been turning out over the last few years. They are really designed to be sold on the "Discount" shelves in the front of a chain bookstore, and when I was younger that usually meant a purely hack job of a book, not really worth owning.
          However, the trend I've been seeing lately is that these publishers are now working directly with museums (whose excellent collections mostly sit unseen in storage) to obtain their images, and with credentialed curators and academics to produce the text. The result is that these books are often worth picking up; and, gasp, even worth reading.

         I've always kept an eye out for articles on the Mesoamerican civilizations, and I've read the books that John L. Stephens wrote back in the 1800s, after his adventures, but when I saw this book on the discount shelf, I realized I didn't have anything systematic or specific in my library on the Aztecs or the Maya. (The book also proclaims that it covers Olmec, Mixtec, Toltec, and Zapotec; and it does, with decreasing order of frequency.) The pictures looked good, so I picked it up.
         For the last few months I've been reading through it, at a quota of five pages per day. I'm glad I did, but in retrospect I should have picked an even number of pages, because the book is rigidly organized in two-page spreads.
         There are some weaknesses, even for the "general reading" design of the book, so let me mention those. First, the maps are ill-planned. Nothing wrong with the maps themselves, but in almost every instance the text on the spread that includes a map, also includes place-names that AREN'T ON THE DANG MAP. The book needed endpaper maps that included everything that would be mentioned.
With all the wealth of archeological sites in Mexico and Central America, the book shouldn't have to show anything more than once. However, there are several sites that have a dozen or more pictures, spread through the book. I'm guessing there are 20 pictures of the square tower at Palenque. Since the tower is unique, it is also atypical; which suggests that we really ought to be seeing typical things, rather than the atypical, over and over and over. (Okay, I exaggerated, it seems there are only 8 pictures of it.) The unique Caracol at Chichén Itzá, and the Toltec warrior columns of Tula get similar repeat appearances.
Finally, there's a good deal of repetition, since the two-page units seem to have been written as independent modules.
That said, I'm quite happy with the book, and I learned a lot in reading it. I didn't know about the household shrines that remind one of lares and penates. There was a good deal, including pictures, on the surviving Aztec and Mayan codices, about which I knew fragments only. The interconnections between the various cultures and eras was also very illuminating. There's good work on the calendar cycles, and the writing systems, and the architecture; though none of it is in great depth. I've got quite a list of things to follow up on, and that usually indicates a worthwhile reading experience.
Will I be using this as a reference book in the future? Yes, indeed.

CBsIP:  (a thousand pages of student manuscripts)
Life of the Empress Josephine, anonymous (Cecil B. Hartley?)
Year's Best SF 17, David G. Hartwell & Kathryn Cramer, eds.
Mr. Lincoln's Army, Bruce Catton
The Bhagavad Gita, Laurie L. Patton, trans.
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Osprey on an Off Day [Apr. 26th, 2013|10:31 pm]
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         I was given a copy of David Nicolle's Armies of the Ottoman Empire 1775-1820 which is one of the Osprey military books, in the Men-at-Arms Series. It is something of a sequel to The Janissaries by the same author. My review of that work began, ominously, by saying it "is not one of the better-written of the Osprey military history books" and the same can be said of this one. Indeed, this one is still weaker than its predecessor.
         The subject matter and time period should be interesting. The Ottoman Empire frequently clashed with European and even American armies during the period from our Revolution, through the French Revolution and Napoleon. These clashes are mentioned, but in no detail.
         This book is shorter than most from Osprey, a mere 48 pages. Like the previous book, many paragraphs are jumbles of information that don't easily scan. The material is often quite vague, as well.
         Plate D lacks the identifying numbers, so you can't tell which uniform is which. Plate H seems to have two of the identifiers switched, or at least the mentioned weapon is not where it should be.
         No battles are described.
         There is frequent mention of "the conservatives" resisting any modernization of the military, but who this group of class consisted of, and what their stated motivation might be, is not present.
         So, there are some odds and ends of information in this volume, but only as an adjunct to another work.
         Not recommended.

CBsIP:  (a thousand pages of student manuscripts)
Life of the Empress Josephine, anonymous (Cecil B. Hartley?)
The Complete Illustrated History of the Aztec & Maya, Charles Phillips
Year's Best SF 17, David G. Hartwell & Kathryn Cramer, eds.
Mr. Lincoln's Army, Bruce Catton
The Bhagavad Gita, Laurie L. Patton, trans.
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Treehorn's Treasure [Apr. 24th, 2013|09:05 pm]
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         Treehorn's Treasure, by former Pittsburgher, Florence Parry Heide, is a sequel to the immortal The Shrinking of Treehorn which I read recently. This one, too, is illustrated by the equally immortal Edward Gorey. Again, I can recommend it.
         Face facts; you might as well just get the trilogy.
         This one was published a decade after its predecessor, but the theme had not withered over time: here again Treehorn is being ignored by the adults. His father gives him a dollar, but insists that he save it. Treehorn hides it in a knothole in the tree outside, and soon discovers that some of the leaves on that tree are turning into dollar bills. Bills he uses to buy comic books, and other important supplies.
         Treehorn mentions to several adults that the leaves are turning into dollar bills, and the adults respond in several ways, but, of course, none of them think to check out the tree.
         What does all this mean for the economy?????
         Well, I won't spoil it.

CBsIP:  (a thousand pages of student manuscripts)
Life of the Empress Josephine, anonymous (Cecil B. Hartley?)
The Complete Illustrated History of the Aztec & Maya, Charles Phillips
Year's Best SF 17, David G. Hartwell & Kathryn Cramer, eds.
Mr. Lincoln's Army, Bruce Catton
linkpost comment

Midnight's Children [Apr. 21st, 2013|10:27 am]
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         Salman Rushdie's Midnight's Children is the last contemporary work we're reading for the South Asian Literature class (it's Bhagavad Gita after this), and is the third of Rushdie's novels that I've read. Leaping straight to the conclusion here: like the other two, this book left me pleased, but not enthralled. It does not make me want to read another work of his, but it certainly didn't make me averse to doing so.
         Like The Satanic Verses, this is a complex satire. It is immersed in the modern historical events of South Asia, and part of the problem is that I caught most of the drift, but probably not all. After all, living here in America, I know a lot about the history, but I haven't lived in it. There are undoubtedly cultural references that didn't quite hit home, as well.
         A risk of absurdist satire, as this often is, can be that the reader won't really engage, because these characters can't really be "people." I had that distancing problem, once the magical realism elements fully kicked in.
         The premise of the story is fairly brilliant, and sustains the book even when the premise falters. The narrator is born at the precise moment of Indian Independence, and is therefore inextricably linked to the life of that country. This metaphor, that he is India, is frequently apt and revealing. But just as often something happens to him, or he exhibits a trait, or makes a choice, and one is left asking, "How is that the same as India??"
         Independence was a magical moment for India, and this is reflected in the children born during the first hour of that Independence. They all have magical capabilities, and the closer they were born to the actual moment, the more magical. Hence, the longer Independence lasted, the less magical it became.
         One cleverness of the structure is that the protagonist is Muslim, and his main antagonist is a character named "Shiva" who is prone to destruction, so you would be inclined to guess that this represents Islam vs. Hindu; but actually Saleem (the narrator) exhibits clear indications of being Vishnu, the Preserver. And he has touches of Mohammed, and of Jesus, and of Buddha. It goes on.
         I recommend the book. It's a Booker Prize winner, it's historically and culturally interesting, it's very carefully and intriguingly structured, it's frequently hilarious. But I would have you put Ambai or Desai or definitely Roy first.

CBsIP:  Life of the Empress Josephine, anonymous (Cecil B. Hartley?)
The Complete Illustrated History of the Aztec & Maya, Charles Phillips
Year's Best SF 17, David G. Hartwell & Kathryn Cramer, eds.
Mr. Lincoln's Army, Bruce Catton
Treehorn's Treasure, Florence Parry Heide
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Treehorn and Edward Gorey [Apr. 18th, 2013|11:12 am]
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         When I was given a copy of The Shrinking of Treehorn, I didn't know that Florence Parry Heide was a Pittsburgher. Nor did I know anything about these children's picture books (there's a trilogy), but I'm always interested in any project that Edward Gorey did the illustrations for.
         Well, I got a very happy treat from this present. The story turns on that very common experience: a child experiencing a problem that the adults in their world are ignoring.
         Treehorn, it so happens, is shrinking. But his father observes, "Nobody shrinks." and that's just about the level of sympathy Treehorn will get through the rest of the story. As generally happens, the lad will have to work his own way out of the problem, despite the well-meaning, but mostly oblivious adults in his life.
         His mother's response?? "Oh, dear. First it was the cake, and now it's this. Everything happens at once."
         Recommended.

CBsIP:  Life of the Empress Josephine, anonymous (Cecil B. Hartley?)
The Complete Illustrated History of the Aztec & Maya, Charles Phillips
Midnight's Children, Salman Rushdie
Year's Best SF 17, David G. Hartwell & Kathryn Cramer, eds.
Mr. Lincoln's Army, Bruce Catton
linkpost comment

An Ensign in the Peninsular War [Mar. 29th, 2013|10:44 pm]
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         When I read A British Eyewitness at the Battle of New Orleans, The Memoir of Royal Navy Admiral Robert Aitchison, 1808-1827,, it was mentioned that Robert Aitchison had a brother in the British Army, who was fighting in the Peninsular Campaign under Wellington, and it suggested the reading of An Ensign in the Peninsular War: The Letters of John Aitchison, W.F.K. Thompson, ed.. I proceeded to purchase that volume, and have been reading it as my daily dose of military history.
         I enjoyed this, though the subtitle is a little misleading. Thompson has included a selection of Aitchison's letters, but it also has Aitchison's diary entries, and more than anything it has narrative of Wellington's Peninsular Campaigns by Thompson, allegedly to give context to the letters. More than a third of the text is Thompson, and toward the end it seems like it's more than half.
         So, it's really about Wellington in Spain and Portugal, and I only knew a few general things about the campaigns, and a couple of particular battles, so this was useful and interesting.
         Many of the letters include endless discussion of Aitchison's plan to buy a lieutenant's commission when it was his turn, negotiations with his father over how much to have on hand at the banker's, and debates about whether to buy a company as well, or buy a Line commission (he was in the Guards) and then do a swap back into the Guards ... and it made it clear to me that my understanding of how the purchase of commissions worked was very shallow. It was clearly extremely complicated; and in the end it was all wasted thought, because he got his commission free, by promotion.
         I developed great sympathy for Wellington, who had very few general officers he could trust, and only one he could feel safe giving an independent corps command to. He was allied to the Spanish revolutionary army, and it was generally hopeless (though it got better as time went on), and allied to the Portuguese army, which the British trained and officered, and which eventually became first-rate; but which was pretty pathetic for quite some time. His opponents were the French, who had a plethora of skilled general officers, many of them quite good at independent command.
         It's a wonder he accomplished anything.
         If you're interested in the Napoleonic era, this is a good book to have on your shelf.
         One favorite bit is about the Congreve rocket unit that was along for the 1814 campaign. I've been aware of these units (the naval version was at Baltimore in the War of 1812, and is mentioned in our National Anthem), one of which was at the Battle of Leipzig. I had thought they were a horse battery (the pictures suggested this), but actually that was an organizational designation. The equipment was man-portable, which allowed it to be used in Spain during the rainy season when the regular artillery was getting trapped in the mud. It did help break an attack, but the passage I enjoyed was a quote in a footnote by an officer who saw the rockets demonstrated to Wellington and his staff: "The ground rockets, intended against the cavalry, did not seem to answer very well; they certainly made a tremendous noise, and were formidable spitfires - no cavalry could stand if they came near them but there seemed the difficulty, none went within half a mile of the intended object, and the direction seemed excessively uncertain ... some instead of going one thousand four hundred yards as intended, were off in a hundred and some pieces of shell came back even amongst us spectators..."

CBsIP:  Life of the Empress Josephine, anonymous (Cecil B. Hartley?)
The Complete Illustrated History of the Aztec & Maya, Charles Phillips
Midnight's Children, Salman Rushdie
Year's Best SF 17, David G. Hartwell & Kathryn Cramer, eds.
linkpost comment

Candidate for Top Ten Works of All Time [Mar. 26th, 2013|10:19 am]
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         Okay, I'm teaching the "Writing of Poetry" class in the Fall, and I'll have to present my newly discovered favorite graphic-novel-epic-poem-multimedia-event-of-last-century, The Doubtful Guest, by Edward Gorey.
         What do you mean, you haven't read it?? Has your life no value, no purpose??? Have you nary a standard??? WHAT WERE YOU THINKING??
         This metaphor of child-rearing, with its psychologically acute observations on how we tend to politely ignore inappropriate behaviors (It was seemingly deaf to whatever they said,/So at last they stopped screaming, and went off to bed.), is full of unexpected twists and turns. It's a classic of the surprise, with charming Gorey illustrations.
         On the downside, it has made me forever uncomfortable in the presence of soup tureens.

CBsIP:  Life of the Empress Josephine, anonymous (Cecil B. Hartley?)
The Complete Illustrated History of the Aztec & Maya, Charles Phillips
An Ensign in the Peninsular War: The Letters of John Aitchinson, W.F.K. Thompson, ed.
Midnight's Children, Salman Rushdie
Year's Best SF 17, David G. Hartwell & Kathryn Cramer, eds.
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McSweeney's 41 [Mar. 26th, 2013|09:42 am]
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         McSweeney's 41, which is a glossy, color-covered hardback, amply rewarded the time I spent with it. It contains a "Letters" section, which is always a bit hilarious; and it has a section by Australian Aboriginal writers, four stories, called "Terra Australis." Did the Australian section work for me? Well, I bought two books that were mentioned in there, and I took names.
         I adore McSweeney's's agenda of widening our literary horizons, as with the Icelandic selections in 15, or the Rwandan part of 40.
         The regular section contains short stories, including a Paul Bunyan tale by Steven Millhauser, but also a couple of non-fictions. One of those is "A Land Rush in Iran" by Viveca Mellegard, telling what has happened to her old Tehran neighborhood, now that the population there is exploding. Another is reportage about the Scott sisters, and their bizarre legal situation.
         I almost adored Ryan Boudinot's "Robot Sex" and its SF/satire combination, but the metaphor overwhelmed the details. I like it, but for SF readers it missteps.
         Henry Bean's "The Virago" is a wonderful POV-characterization stunt. This one I may use in teaching.
         The four Australian pieces all struck me as strong. A first-rate, yet varied, selection. All four are glimpses of badly broken lives.

CBsIP:  Life of the Empress Josephine, anonymous (Cecil B. Hartley?)
The Complete Illustrated History of the Aztec & Maya, Charles Phillips
An Ensign in the Peninsular War: The Letters of John Aitchinson, W.F.K. Thompson, ed.
Midnight's Children, Salman Rushdie
The Doubtful Guest, Edward Gorey
linkpost comment

The Old Manse and a Few Mosses [Mar. 20th, 2013|09:51 pm]
         The Old Manse and a Few Mosses, Nathaniel Hawthorne, is one of the paperback selections from the old Riverside Literature Series schoolbooks. It was #69, and is really an abridgment of Hawthorne's collection Mosses from an Old Manse.
         The Old Manse still exists, in Concord, MA, overlooking the bridge where the Revolutionary War battle was fought. Hawthorne lived in it for a few years, Emerson had lived in it before that, and it has numerous literary and historical associations. Many of these are mentioned in the essay "The Old Manse" and the remainder of the selection consists of a New England version of Pygmalion called "Drowne's Wooden Image," a legend-like witch fantasy "Feathertop: A Moralized Legend," and "The Old Apple Dealer." The last is a observation-and-character sketch of a poor man who sells odds and ends in a railway station, and doesn't seem properly fitted for the task. (I have half a suspicion that Melville learned some of his character sketching techniques from Hawthorne. I know that Emerson was an influence on "Bartleby the Scrivener" but maybe Hawthorne was, as well. The stories are only a few years apart.)
         Hawthorne can be a wandering writer, and "The Old Manse" is almost a pathological example, but I like him. I've always preferred his essays and tales to the novels. I have not taken enough opportunities to re-read him, so I enjoyed this little sample of the longer collection that I've never managed to get to.
         My suggestion for a happy life is this: never let a year go by without reading a few essays, or sketches, from each of the following four -- Hawthorne, Montaigne, Addison, and Steele.

CBsIP:  Life of the Empress Josephine, anonymous (Cecil B. Hartley?)
The Complete Illustrated History of the Aztec & Maya, Charles Phillips
An Ensign in the Peninsular War: The Letters of John Aitchinson, W.F.K. Thompson, ed.
McSweeney's 41
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Ambai [Mar. 19th, 2013|11:14 pm]
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         In a Forest, a Deer by Ambai, was the fourth book in my South Asian Literature syllabus, and it has been the most challenging for my students. First, it's a collection of short stories, rather than a novel. It seems that most of them are novel readers, primarily, so a succession of unrelated stores are "hard for them to get into." Secondly, these are mostly not full-up short stories. They're vignettes, sketches, episodes; and the absence of plot made the stories hard to follow, they felt.
         Several of the students were with me, however, in finding Ambai to be a wonderful discovery. I will be reading her other work, eventually.
         My favorite piece is "Vaaganam", which begins, "There is surely a vehicle to suit each person's individual needs. A vaaganam appropriate to their status." That paragraph then goes on to list many of the vehicles of the Hindu gods, and then brings in the story's protagonist at the end: "Bhakyam's desire for a vehicle certainly had all these mythic, Puranic, and epic precedents. All the same, she did not have the good fortune to own one herself." It will turn out that a mouse, reminiscent of Ganesh's mouse mentioned in the first paragraph, will be her grand vehicle.
         The mythic is often evoked in these tales, but they are slices of life of ordinary people, usually caught up in small transitions. Most are set in Tamil Nadu (Ambai writes in Tamil) but others are set elsewhere, with connections to Tamil culture and history.
         The stories vary in tone and strategy, they are not all equally successful. When is that ever not the case? I am pleased to have read them. Consider adding Ambai to your list.

CBsIP:  Life of the Empress Josephine, anonymous (Cecil B. Hartley?)
The Complete Illustrated History of the Aztec & Maya, Charles Phillips
An Ensign in the Peninsular War: The Letters of John Aitchinson, W.F.K. Thompson, ed.
The Old Manse and a Few Mosses, Nathaniel Hawthorne
linkpost comment

More of the Best of SF [Feb. 28th, 2013|10:23 pm]
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         I took rather a long time getting through The Year's Best Science Fiction, Twenty-Ninth Annual Collection, Gardner Dozois, ed., but the beauty of short fiction collections is that you can do that, without losing your thread.
         Having realized decades ago that I would never be able to keep up with all the magazines and books in the genre, I have been a religious purchaser of both the Dozois and Hartwell/Cramer anthologies (and other series, before that). I used to read them just as religiously, but I've gotten spotty in the last decade. I hope to address the teetering pile of them in the coming months.
         This edition encourages me to do just that. Quite a number of interesting and intriguing stories fill its pages, and I took some useful notes for teaching my students how certain things are done.
         My favorite has to be the complex "Silently and Very Fast" by Catherynne M. Valente. A nice mixing of the mythic and the SFnal.
         I put exclamation marks in the table of contents next to Michael Swanwick's "The Dala Horse", Peter S. Beagle's "The Way It Works Out and All" (now there are two reliable authors), Lavie Tidhar's "The Smell of Orange Groves" and Kij Johnson's low-key novella "The Man Who Bridged the Mist."
         I wrote the word "interesting" (which is often more praise than the exclamation mark) by "The Incredible Exploding Man" of Dave Hutchinson, Tom Purdom's "A Response from EST17", and "A Militant Peace" by David Klecha & Toby Buckell. Robert Reed's story got the note "splashy."
         My favorite writer moment is in Peter M. Ball's "Dying Young." I won't give it away, but it's the conflict that is revealed when the protagonist guesses, the second time, why the female moves her memorial.
         Ken MacLeod's "The Vortuna Effect" is fun; a sort of Secret History story. Which is the opposite of my reaction to "The Iron Shirts" by Michael F. Flynn. Flynn writes very well, but this is Alternate History with Alt-History's most common flaw: it chokes on the compulsively presented backstory, which only amuses those who know the references and variations. See the clever thing I did here? Now see this other clever thing I did there? How about those Algonquians trying to influence European power struggles?

CBsIP:  Life of the Empress Josephine, anonymous (Cecil B. Hartley?)
The Complete Illustrated History of the Aztec & Maya, Charles Phillips
An Ensign in the Peninsular War: The Letters of John Aitchinson, W.F.K. Thompson, ed.
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The God of Small Things [Feb. 22nd, 2013|09:50 pm]
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         I'll keep this comment short, because I don't want my students just feeding me back my review. The latest South Asian novel I read for class is The God of Small Things by Arundhati Roy, and this goes straight onto my A-list.
         The previous two novels were depressing, and this one tends to be, as well. Didn't intend the course to go that way, but, oh, well. What keeps this book interesting is the narrative style and strategy. It's told all out of order, with the narrator naming what will happen long before those scenes appear, and because some scenes happen after the main events you have a good sense of what happened, but you don't know how or why, until near the end.
         And the choice of what would be at the end of the tale is challenging and transformative. And I'm impressed.
         I also admire the sometimes comical, sometimes poetic devices; along with some good old-fashioned rhetorical touches like naming a character by naming a part of them. Synecdoche.
         Sadly, it looks as though Roy may never write another novel. She's taken up other things. But this one, alone, will do.

CBIP:  Life of the Empress Josephine, anonymous (Cecil B. Hartley?)
The Year's Best Science Fiction, Twenty-ninth Annual Collection, Gardner Dozois, ed.
The Complete Illustrated History of the Aztec & Maya, Charles Phillips
An Ensign in the Peninsular War: The Letters of John Aitchinson, W.F.K. Thompson, ed.
linkpost comment

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